My subject is the human figure: how it survives, responds and interacts with its environment.
I abstract the forms to a greater or lesser degree depending on the idea I'm trying to express.
The original idea is blocked into shapes, given a clear identity and strong underlying form. Then it's refined, reduced and distilled while keeping true to the original premise.
I abstract the forms to a greater or lesser degree depending on the idea I'm trying to express.
The original idea is blocked into shapes, given a clear identity and strong underlying form. Then it's refined, reduced and distilled while keeping true to the original premise.
